Death:Death of Significant person 8 October 1921 in Middelburg (Grandfather Jan Remco Theodoor Campert, born 15 June 1874 in Leiden) chart Placidus Equal_H.
Family : Parents divorced 19 December 1932 chart Placidus Equal_H.
Death:Death of Father 12 January 1943 in Neuengamme Concentration Camp chart Placidus Equal_H.
Death:Death of Significant person 2 September 1946 in Den Haag (Grandfather Johan W. Broedelet, born 4 April 1877, Batavia) chart Placidus Equal_H.
Death:Death of Significant person 2 September 1950 in Den Haag (Grandmother: Johanna Maria Anna van Hall, born 25 May 1871 in Middeelburg) chart Placidus Equal_H.
Relationship : Meet a significant person 24 February 1956 at 8:00 PM in Amsterdam (Met Fritzi Harmsen van Beek at the Boekenbal) chart Placidus Equal_H.
Family : Adopted a child 3 August 1963 in Amsterdam (Cleo Campert) chart Placidus Equal_H.
Work : Prize 16 June 1979 in Rotterdam (Received P.C. Hooftprijs 1976 at poetry festival of Rdam) chart Placidus Equal_H.
Death:Death of Mother 3 July 1996 in Amsterdam (Joekie Broedelet) chart Placidus Equal_H.
Death:Death of Mate 4 April 2009 in Groningen (Fritzi Harmsen van Beek) chart Placidus Equal_H.
Death:Death of Significant person 4 April 2010 in Leiden (Rudy Kousbroek) chart Placidus Equal_H.
Health : Accident (Non-fatal) 21 February 2011 at 7:00 PM in Amsterdam (news) chart Placidus Equal_H.
Work : Prize 7 April 2011 (Gouden Ganzenveer annnounced 9 Jan 2011) chart Placidus Equal_H.
Work : Published/ Exhibited/ Released November 2011 (His 1961 novel Het leven is vurrukkulluk became a gratis book) chart Placidus Equal_H.
Work : Published/ Exhibited/ Released 20 September 2014 in Utrecht (Remco Campert op de Nacht van de Poëzie 2014) chart Placidus Equal_H.
Work : Prize 8 October 2015 in Brussel (Prijs der Nederlandse Letteren - Remco Campert) chart Placidus Equal_H.
Death:Death, Cause unspecified 4 July 2022 (Age 92) chart Placidus Equal_H.
Dutch poet, columnist and writer from a noted family. His parents were journalist and poet Jan Campert (1902-1943) and the actress and drama translator Wilhelmina "Joekie" Broedelet (1903-1996). They divorced on 19 December 1932 when Remco was three. He then stayed with his mother, first in The Hague, later in Amsterdam (1941). His father died in the Nacht und Nebel of Nazi Germany. After his death in World War II his Bohemian father Jan, became a Dutch symbol of resistance, but for Remco, who would also become a celebrated poet of the movement of the Fifties, his father was miles away. Also his mother was often away for work, he was sent to stay with family, including his grandfather, the writer and actor Johan W. Broedelet (1877-1946). During the war Remco visited the Lyceum in The Hague. In 1941 his house and their surroundings were destroyed when the Germans dug tank ditches. They expected the invasion at the coast of Holland. In 1942, Remco was sent to the Moody family in Epe, friends of his mother. He spent three three years and followed the MULO school. In Epe he heard that his father died in the Neuengamme concentration camp. Later he wrote the poem "January 1943", included in the anthology Hotel Morandi Scenes (1983). After the war, 16-year-old Remco moved to Amsterdam in September 1945. He visited the Lyceum, where he met his life-long friend Rudy Kousbroek (1929-2010). Kousbroek spent his youth in Japanese detention camps. Both talented writers became editors of the school paper Halo (Het Amsterdams Lyceïsten Orgaan), went to Paris (1949, 1950) and in 1950 founded the literary magazine Braak. Remco left the Gymnasium before getting a diploma, as he decided to become a writer. Together with Lucebert, Simon Vinkenoog and Hugo Claus they formed a new generation of poets, called the Vijftigers. He debuted with Ten lessons with Timothy (25 exemplars, now a collectors item inspired by Jazz musician Dizzy Gillespie), that he tried to sell on the streets in Paris. In 1951 he published the commercial poetry anthology Vogels vliegen toch. He kept on writing poetry, until the 1970 anthology Betere tijden, after which he was struck with writers block, until 1978, when the anthology Theatre appeared. In 1953 he received the Reina Prinsen Geerligs award for "Berchtesgaden" and in 1955 the Poetry award of the city of Amsterdam for the poem "Gedicht met een moraal" (poem without morale). In 1956, he won the Jan Campert award for "Met man en muis en Het huis waarin ik woonde" (with man and mice and the house I lived in) and in 1958, the Anne Frank award for "Vogels vliegen toch" (birds do fly anyway). However, as he could not earn enough money with poetry, he started to write columns, short stories and essays. Especially his prose was embraced by the general public. His first major success was the short story anthology Alle dagen feest (Party all days, 1955), and the Het leven is vurrukkulluk (Life is vurrukkulluk, written in six weeks, 1961) which became a Dutch classic. The 60s became the "prosaic" years of Remco Campert. His style, as a keen observer able to grasp the seriousness of life in a slightly ironic tone, finally emerged. In 1949 at age 19 he married the artist Freddy Rutgers, a girl from Wassenaar. Freddy left him in 1954 for Gerrit Kouwenaar. On 20 December 1957 he married Fritzi Harmsen van Beek. Their house became a salon for writers and poets. At the end of 1958, they divorced and Campert returned to Amsterdam. In 1960Read less
Remco Campert (July 28, 1929 – July 4, 2022) was a prominent Dutch writer, poet, and columnist. He was born in The Hague, Netherlands, and passed away in Amsterdam.
Campert's death in 2022 was met with widespread mourning in the Dutch literary world. He is remembered for his significant contributions to Dutch post-war literature, including his poetry, novels, columns, and screenplays. His work often explored themes of love, loss, and the everyday, with a characteristic blend of humor and melancholy.
Campert's career spanned several decades, starting in the 1950s as part of the "Vijftigers" movement, a group of experimental poets who rejected traditional forms. He gained recognition for novels like Het leven is vurrukkulluk (Life is Wonderful) and Tjeempie! of Liesje in Luiletterland, which became classics of Dutch literature. He also wrote numerous collections of poetry, including De jongen met het mes (The Boy with the Knife) and Somberman's actie (Somberman's Action). His later works continued to explore the nuances of life and relationships, demonstrating a persistent literary vitality.
Beyond his novels and poetry, Campert was a renowned columnist for various Dutch newspapers, including de Volkskrant. His columns were known for their witty observations on daily life, culture, and current events, offering a blend of personal reflection and social commentary. He connected with a wide readership through his accessible style and relatable perspectives.
Information about Remco Campert's social media presence is limited. While he belonged to a generation that predated the widespread adoption of social media, archival materials and online resources offer access to his works and critical discussions of his literary contributions.
Since his passing, there has been renewed interest in Campert's work. Publications have revisited his literary legacy, examining his influence on Dutch literature and the continuing relevance of his themes. Although he did not undertake new projects in the final years of his life, his body of work continues to be studied and appreciated.
For a comprehensive overview of Remco Campert's life and work, consult resources like the Digital Library for Dutch Literature (DBNL) and other literary archives. These platforms offer access to biographical information, bibliographies, and critical essays.
```