Work : Published/ Exhibited/ Released 1994 (Autobiography)
American noted family, the first born of Arthur Fiedlers three kids. In her autobiography, "Arthur Fiedler, Papa, the Pops and Me," Doubleday, 1994, she recalls a childhood of constant tension trying to be perfect to suit her parents standards. She took singing, dancing and piano lessons but did not have the feel for music that her famous father hoped for. She found their Brookline mansion to be filled with music, but a dark, gloomy and shabby house, and tells of a childhood of little appreciation. Read less
Born on September 17, 1945, in Boston, United States
Johanna Fiedler was a prominent American writer and publicist, known for her work in the world of classical music. She was the daughter of Arthur Fiedler, the long-time conductor of the Boston Pops Orchestra. Johanna carved out a distinguished career in her own right, particularly noted for her tenure at the Metropolitan Opera in New York City.
While Johanna Fiedler passed away in 2011, her legacy continues to be celebrated in various retrospectives and discussions within the classical music community. Her book, "Molto Agitato: The Mayhem Behind the Music at the Metropolitan Opera," remains a significant contribution to literature on the subject, often referenced in articles and discussions about the inner workings of major cultural institutions.
Johanna Fiedler was not active on social media platforms, as they rose to prominence after her passing. However, her work and contributions are frequently discussed and shared by enthusiasts and professionals in the field of classical music on platforms like Twitter and Facebook.
Though Johanna Fiedler is no longer with us, her projects, especially her insightful writings, continue to influence and inspire those interested in the arts. "Molto Agitato" provides a behind-the-scenes look at the Metropolitan Opera, offering readers an engaging glimpse into the complexities and dramas of running a world-class opera house.
Johanna Fiedler's impact on the world of classical music journalism and public relations is notable. Her ability to translate the complexities of the music world into engaging narratives has left a lasting impression. Her work is a valuable resource for anyone interested in the intricacies of cultural institutions.