
Social : Joined group April 1941 (volunteered for German Luftwaffe) chart Placidus Equal_H.
Health : Accident (Non-fatal) 16 March 1944 (plane crash in WW II in Russia) chart Placidus Equal_H.
Social : Institutionalized - prison, hospital 8 May 1945 (prisoner of war) chart Placidus Equal_H.
Social : Deinstitutionalized - prison, hospital 5 August 1945 (released from POW camp) chart Placidus Equal_H.
Social : Begin a program of study 1 April 1946 (enrolled as art student) chart Placidus Equal_H.
Social : End a program of study 1953 (completed studies)
Relationship : Marriage 19 September 1959 (with Eva Wurmbach) chart Placidus Equal_H.
Work : New Career 1 November 1961 (professor at art academy) chart Placidus Equal_H.
Family : Change in family responsibilities 22 December 1961 (birth of son Wenzel) chart Placidus Equal_H.
Family : Change in family responsibilities 16 November 1964 (birth of daughter Jessyka) chart Placidus Equal_H.
Work : Fired/Laid off/Quit October 1972 (fired) chart Placidus Equal_H.
Death:Death by Disease 23 January 1986 (heart failure, age 64) chart Placidus Equal_H.
German artist, theorist and teacher who was highly influential in international contemporary art in the latter half of the 20th century. He is a founder of the art movement known as Fluxus, and a practitioner and exemplar of happenings, and performance art. He adopted media and techniques including paint, sculpture, graphic art and installation. His work is grounded in concepts of humanism, social philosophy and anthroposophy; it culminates in his "extended definition of art" and the idea of social sculpture as a gesamtkunstwerk, for which he claimed a creative, participatory role in shaping society and politics. His career was characterized by open public debates on a very wide range of subjects including political, environmental, social and long term cultural trends. He is widely regarded as one of the most influential artists of the second half of the 20th century. In 1936 Beuys was a member of the Hitler Youth; the organization comprised a large majority of German children and adolescents at that time and later that year membership became compulsory. He participated in the Nuremberg rally in September 1936, when he was 15 years old. In 1941, Beuys volunteered for the Luftwaffe. In 1942, Beuys was stationed in the Crimea and was a member of various combat bomber units. From 1943 on he was deployed as rear-gunner in the Ju 87 "Stuka" dive-bomber. Drawings and sketches from that time have been preserved and already show his characteristic style. On 16 March 1944, Beuyss plane crashed on the Crimean Front close to Znamianka, then Freiberg Krasnohvardiiske Raion. From this incident, Beuys fashioned the myth that he was rescued from the crash by nomadic Tatar tribesmen, who had wrapped his broken body in animal fat and felt and nursed him back to health. Records state that Beuys was conscious, recovered by a German search commando, and there were no Tatars in the village at that time. Beuys was brought to a military hospital where he stayed for three weeks from 17 March to 7 April. It is consistent with Beuys work that his biography would have been subject to his own reinterpretation; this particular story has served as a powerful myth of origins for Beuyss artistic identity, as well as providing an initial interpretive key to his use of unconventional materials, amongst which felt and fat were central. Despite prior injuries, he was deployed to the Western Front in August 1944, into a poorly equipped and trained paratrooper unit. He received the German Wound Badge in gold for being wounded in action more than five times. On the day after the German unconditional surrender on 8 May 1945, Beuys was taken prisoner in Cuxhaven and brought to a British internment camp from which he was released 5 August of that year. After his return to Kleve, Beuys met the local sculptor Walter Brüx and painter Hanns Lamers, who encouraged him to take up art as a full-time career. He joined the Kleve Artists Association that had been established by Brüx and Lamers. On 1 April 1946, Beuys enrolled in the "Monumental Sculpture" program at the Düsseldorf Academy of Fine Arts. Beuys finished his education in 1953, graduating as master student from Matarés class, 32 years old at that time. He had a modest income from a number of crafts-oriented commissions: a gravestone and several pieces of furniture. Throughout the 1950s, Beuys struggled with a dire financial situation and with the trauma of his wartime experiences. His output consisted mainly of drawings, whRead less
Born on May 12, 1921, in Krefeld, Germany
Joseph Beuys, a renowned German artist and a pivotal figure in post-war European art, continues to influence the art world with his innovative ideas centered around humanism, social philosophy, and anthroposophy. While Beuys passed away in 1986, his legacy lives on through various exhibitions and retrospectives that celebrate his extensive body of work.
In recent years, several art institutions have revisited Beuys' contributions to contemporary art. Exhibitions have focused on his concept of "social sculpture," which posits that art's transformational power can reshape society. The ongoing discussions about his work have been particularly relevant in today's socio-political climate, where artists are increasingly seen as agents of change.
Though Joseph Beuys lived before the age of social media, his influence permeates platforms like Instagram and Twitter, where art enthusiasts and historians share his ideas and artworks. Hashtags like #JosephBeuys, #SocialSculpture, and #Fluxus are popular among users discussing his impact. Art institutions occasionally post about Beuys' work, especially during anniversaries and exhibition openings, ensuring his philosophies reach a broader audience.
Various contemporary artists and collectives have drawn inspiration from Beuys' work, incorporating elements of his philosophy into new projects. In recent years, there have been collaborative art installations and educational programs designed to explore Beuys' belief in art's potential to influence society positively.
One notable project involved a series of workshops and lectures examining Beuys' influence on sustainable art practices. These events highlighted his innovative use of materials and his foresight into environmental issues, emphasizing the role of the artist in advocating for ecological responsibility.
Joseph Beuys remains a seminal figure in art history, revered for his radical approach to art and society. His influence extends beyond visual arts, impacting fields such as environmentalism and political activism. Beuys' interdisciplinary approach has inspired educators and activists to view art as a medium for societal change.
His famous quote, "Every human being is an artist," encapsulates his belief in the creative potential inherent in all individuals, a concept that continues to resonate in discussions about art's role in personal and communal development.
In Vedic astrology, the ascendant or lagna represents the self, physical appearance, and overall life path of an individual. When the natal lagna is in Sagittarius, it imbues the person with traits associated with this sign. Sagittarius is ruled by Jupiter, the planet of expansion, wisdom, and spirituality. Individuals with Sagittarius ascendant are often seen as optimistic, adventurous, and philosophical. They have a natural inclination towards higher learning, travel, and exploring new horizons. Their enthusiasm and zest for life make them open-minded and eager to seek truth and knowledge. Being in Moola Nakshatra, which is governed by Ketu, adds another layer of complexity. Moola is associated with roots and foundations, often leading to transformative experiences. It can bring about a deep-seated desire to understand the essence of things, encouraging the person to delve into the core of issues, sometimes leading to a complete reconstruction of their beliefs or circumstances. This nakshatra can bring about sudden changes or disruptions but also offers profound insights and the ability to rebuild stronger foundations. With the lagna lord Jupiter placed in the 9th house in Leo, the individual experiences a strong emphasis on the themes of higher learning, spirituality, and expansion. The 9th house relates to philosophy, religion, and long-distance travel, indicating a strong drive towards understanding life’s higher truths. Leo's influence adds a regal and confident dimension, suggesting leadership qualities and a desire to shine in pursuits related to education or spirituality. Jupiter in Poorva Phalguni Nakshatra, ruled by Venus, brings creativity, charm, and a love for pleasure and luxury. It indicates a harmonious blending of wisdom with artistic expression, making the individual inclined towards creative fields or pursuits that bring joy and beauty into their life. Overall, this combination suggests an individual who is philosophical, adventurous, and deeply interested in understanding life's deeper meanings, with a strong potential for leadership and creative expression.
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