Modigliani Jeanne Horoscope

Jeanne Modigliani (1918–1984)

Jeanne Modigliani was an Italian-French art historian and biographer best known for her pioneering research on her father, the painter and sculptor Amedeo Modigliani, and for shaping the early documentary record of his life and work. Born on 29 November 1918 in Nice, France, she devoted much of her career to safeguarding his legacy through scholarship, archival work, and public advocacy.

Key facts

• Full name: Jeanne Modigliani
• Born: 29 November 1918, Nice, France
• Parents: Amedeo Modigliani and Jeanne Hébuterne
• Died: 1984
• Occupation: Art historian, biographer, archivist of Modigliani studies

Biography

Orphaned in early 1920 after the near-simultaneous deaths of her parents, Jeanne spent her childhood with paternal relatives in Italy before building an adult life between Italy and France. As a scholar, she became a central figure in reconstructing the chronology, networks, and documentary footprint of Amedeo Modigliani’s brief yet influential career in Paris.

Jeanne Modigliani’s research combined family papers, interviews with surviving contemporaries, and meticulous archival digging. She helped correct myths that had accreted around her father and emphasized the disciplined, thoughtful aspects of his practice alongside the romantic legend. Her work was frequently consulted by curators and authors preparing exhibitions and catalogues on Modigliani and the Montparnasse milieu.

Publications and archival work

• Author of a foundational biography often cited in English as “Modigliani: Man and Myth,” first issued in the late 1950s with later revised editions in multiple languages.
• Compiled documents, letters, photographs, and testimonies that formed an early corpus for Modigliani research; these materials informed subsequent exhibition catalogues and scholarly essays.
• Actively warned against forgeries and urged rigorous provenance and technical analysis, helping set standards later adopted by museums and scholars.

Public profile and legacy

Jeanne Modigliani is remembered as a careful, primary-source-oriented historian whose proximity to family materials and witnesses made her a uniquely valuable voice. Her papers and findings underpin much of the secondary literature on Modigliani. While later catalogues raisonnés and institutional archives expanded or revised attributions, her early groundwork remains a crucial reference point.

The field of Modigliani studies has, at times, seen disputes over attribution and authenticity. Jeanne’s emphasis on documentation and transparency continues to be cited as best practice by curators and researchers.

News and recent mentions

As a historical figure, Jeanne Modigliani does not undertake new projects; however, her scholarship is regularly referenced in museum exhibitions, catalogues, and media coverage focused on Amedeo Modigliani. Up to 2024, major shows in Europe and the United States have continued to cite her biography and archival notes in wall texts, footnotes, and provenance discussions. Articles addressing authenticity debates likewise point back to Jeanne’s early documentation and warnings about the market’s vulnerabilities.

Social media

No verified social media accounts exist for Jeanne Modigliani. References to her work typically appear on institutional channels (museums, libraries, archives) when announcing Modigliani exhibitions, research findings, or catalog publications. Any personal profiles purporting to represent her should be treated as unofficial or fan-made.

Research links and resources

• Wikipedia overview: Jeanne Modigliani
• WorldCat search (works by/about): worldcat.org/search?q=Jeanne+Modigliani
• VIAF authority search: viaf.org (authority records)
• BnF data search: data.bnf.fr/search?term=Jeanne Modigliani
• Archive.org search: archive.org/search?query=Jeanne Modigliani

Notes for researchers

• When citing Jeanne Modigliani’s work, check for the latest edition and language version, as content and annotations can vary.
• For provenance and authenticity questions, consult multiple sources (museum catalogues, technical studies, and recognized archives) and compare against Jeanne’s documented evidence.