Relationship : Marriage 19 March 1944 (Oscar De Mejo) chart Placidus Equal_H.
Work : New Job 1946 (Hollywood to do a Hitchcock film)
Work : Published/ Exhibited/ Released 1948 (Appeared in "The Third Man")
Work : Published/ Exhibited/ Released 1952 (Appeard in "Senso")
Death:Death, Cause unspecified 22 April 2006 (in Rome, age 84) chart Placidus Equal_H.
Italian actress, internationally known, born in Pola, Italy, in a region now belonging to Croatia. From the time of her adolescence, Valli wanted to be an actress and she made her debut at 16. Her beauty and appeal assured her a rapidly-rising career. She was married to Oscor De Mejo on 3/19/1944 with whom she had two kids. In 1946, she was called by Hollywood to film Hitchcocks "Paradine Case," giving her international fame. In 1948, she played in the master work of Carol Reed, "The Third Man" with Orson Welles and in1952, "Senso" with Luchino Visconti. In the following years, Valli worked with the best Italian directors in films and TV, more than 100 films. A baroness, she went into hiding duirng World War II to avoid being recruited by Mussolinis administration for their propaganda efforts. In 1997 she received a career Golden Lion award at the Venice Film Festival. The Italian actress died on April 22, 2006 in Rome of undisclosed causes at age 84. Link to Wikipedia biography Read less
Born: 31 May 1921, Pula (then Pola, Kingdom of Italy; today Croatia). Birth name: Alida Maria Laura von Altenburger. Died: 22 April 2006, Rome, Italy. Profession: Actress (film, stage, television).
Alida Valli was one of the defining European screen icons of the 20th century. Emerging as a teen star in 1930s Italian cinema, she achieved international fame after World War II and worked across Italy, the UK, France, and Hollywood. Renowned for a cool, haunted intensity and precise craft, she collaborated with major auteurs and moved fluidly from romantic melodrama to noir, arthouse, and horror, remaining active for over six decades.
Valli received major Italian and international recognition across her career, including the Venice Film Festival’s Golden Lion for Lifetime Achievement (1991), and multiple David di Donatello and Nastro d’Argento honors. Retrospectives and honorary tributes have continued to reaffirm her stature as a cornerstone of postwar European cinema.
As a historical figure who passed away in 2006, Alida Valli has no official personal accounts. Conversation and archival material typically appear via:
Valli’s screen presence—luminous yet enigmatic—made her equally convincing as romantic heroine, noir enigma, or severe authority figure. Credited sometimes simply as “Valli” (notably in The Third Man), she remains a touchstone for filmmakers and actors exploring the ambiguous, modern woman of postwar cinema. Ongoing restorations and curated programs keep her work vivid and accessible for contemporary viewers.