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William A. Fraker (1923-2010)

William A. Fraker, ASC, BSC, was a highly acclaimed American cinematographer and director, born on September 29, 1923, in Los Angeles, California, and passed away on May 31, 2010. He is remembered for his exceptional visual storytelling and contributions to numerous iconic films.

Career Highlights

Fraker's career spanned several decades, during which he collaborated with renowned directors such as Robert Mulligan, Sydney Pollack, and Warren Beatty. He received five Academy Award nominations for Best Cinematography for his work on films including "Looking for Mr. Goodbar" (1977), "Heaven Can Wait" (1978), "1941" (1979), "WarGames" (1983), and "Murphy's Romance" (1985).

Some of his other notable cinematography credits include "Rosemary's Baby" (1968), "Bullitt" (1968) (additional photography), "Monte Walsh" (1970), "The Day of the Locust" (1975), "Gator" (1976) (which he also directed), and "Single White Female" (1992).

Fraker transitioned into directing in the mid-1970s. While he continued to be highly regarded for his cinematography, his directorial projects include the films "Gator" (1976), "Legend of the Lone Ranger" (1981), and episodes of television series like "Highway to Heaven."

Legacy and Recognition

William A. Fraker's impact on the world of cinema is undeniable. His stylistic approach to cinematography, particularly his use of lighting and composition, influenced a generation of filmmakers. He was known for his ability to create visually stunning and evocative images that enhanced the narrative of the films he worked on. He received the ASC Lifetime Achievement Award in 1998, a testament to his lasting contributions to the art of cinematography.

Information Availability

Unfortunately, due to the timeframe of his career and passing, readily available information about William A. Fraker online is primarily focused on his professional achievements. Details regarding his personal life, social media presence (which would have been unlikely during his lifetime), or specific projects undertaken in his later years are limited. Archival resources and film societies dedicated to preserving cinematic history may offer more in-depth information about his life and work.

It's important to respect the privacy of individuals, even public figures, and acknowledge that not all information about their lives will be publicly accessible.

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